MOYO LANE JOURNAL
Kenyan fashion shows, designer competitions, awards and confirmed upcoming events.
Kenya Industrial Training Institute in Nakuru is worth examining if your interest in fashion begins with making useful, well-constructed products. KITI’s clothing and textile provision combines qualification routes with practical
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For someone researching fashion design courses in Mombasa, Kenya Coast National Polytechnic offers more than a generic promise of creativity. Its official September 2025 brochure sets out modular fashion routes at several levels,
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Fashion design courses in Kisumu are not limited to drawing outfits or learning a few decorative stitches. The Kisumu National Polytechnic publishes a department covering fashion and apparel alongside leather, textile production a
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Kiambu National Polytechnic offers a practical starting point for people comparing fashion design courses near Nairobi. Its official course directory lists Fashion Design at Levels 3, 4, 5 and 6, placing clothing training within a
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Looking for fashion design courses in Nairobi can mean two very different things: learning to sew a garment confidently, or preparing for a longer career designing and producing clothing. Nairobi Institute of Technology, at 10 Wes
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Adut Akech’s early childhood in Kenya is an important part of a fashion career that later developed in Australia and on international runways. She is South Sudanese-Australian, rather than a Kenyan national model, and the distinct
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Waridi-Wardah Schrobsdorff’s fashion career connects Kenya with Berlin through modelling, mentorship, photography and support for emerging designers. As the founder of Fashion Africa 254, she works on the systems that help creativ
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Cris Njoki built Ikojn around the idea that clothing designed and made in Kenya could become part of a modern woman’s everyday wardrobe. Her career combines fashion design, retail, digital communication and the practical work of r
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Ria Ana Sejpal-Sullivan’s LilaBare is a Nairobi design house built around an interest in how clothing is made, used and remade. Its work brings together small-batch production, botanical colour, handcraft and experimentation with
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Annabel Onyango’s styling work is rooted in a sustained interest in Kenyan makers. Her career spans editorial images, music-related projects, personal style and interiors, with a consistent concern for how an object communicates s
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